Anatomische engel

Falconnen

𝑙𝑒̀ 𝐹𝑟𝑎𝑔𝑚𝑒𝑛𝑡 𝑓𝑎𝑡𝑎𝑙 𝑦 𝑒𝑓𝑓𝑟𝑜𝑖𝑡𝑒 𝑑𝑜𝑟𝑚𝑖𝑟𝑒

Technomorpheddis Hauntology

Written & performed for/by various instrumental ensembles and electronics processes

𝐊 . 𝐅𝐚𝐮𝐯𝐚𝐫𝐪𝐮ø morodiannis { Rouleaux de cuivre I & II }

(for electronics and ensemble) Voce by 𝐉𝐞𝐬𝐬𝐢𝐜𝐚 𝐂𝐨𝐧𝐬𝐭𝐚𝐛𝐥𝐞

{In memoriam 𝐒𝐞́𝐛𝐚𝐬𝐭𝐢𝐞𝐧 𝐅𝐚𝐮𝐯𝐚𝐫𝐪𝐮𝐞. ForJoseph, and Iris}

𝐍𝐨𝐮.𝐯𝐨𝐮 Falconnen 9, .7, 2* 𝐁𝐚𝐥𝐜𝐨𝐧𝐢𝐞𝐬 𝐬𝐮𝐫𝐫𝐨𝐮𝐧𝐝𝐝𝐢 𝐒𝐭𝐞𝐥𝐥𝐚𝐫𝐞 𝐦𝐨𝐝𝐞𝐥𝐥𝐢

{ Performed by the S.u.K strings ensemble on balconies surrounding the concert hall. And Ensemble La Grive rehearsals matters/modelli spectrum, Db, Vcl, Vla, 2 BassFl }

𝐄𝐥𝐥𝐞𝐬.𝐢𝐥𝐬, Falconnen 5, .1, 5* 𝐀 𝐖𝐨𝐦𝐚𝐧𝐧𝐢𝐬 𝐚𝐫𝐭𝐢𝐤𝐮𝐥𝐥𝐢 𝐦𝐨𝐝𝐞𝐥𝐥𝐢, 𝐒𝐮𝐛𝐭𝐢𝐥𝐥𝐚𝐞 A Woman retangled .

{ Performed by Brussels based Ensemble 21, for 7 musicians & electronics. Modelli spectrum by Vcl, Vla, Vl, Fl, Basscla, Pno, Percus, & realtime electronics }

𝐓𝐮. Falconnen 7, .3, 21* 𝐃𝐞𝐦𝐞𝐮𝐫𝐞 𝐝𝐚𝐧𝐬 𝐥’𝐚𝐫𝐫𝐞̂𝐭 𝐝𝐮 𝐂𝐫𝐚̂𝐧𝐞

{Ensenble La Grive, S.u.K / strings, paetzold, voci, rehearsals written matters}

𝐉𝐞.𝐮 Falconnen 1, .2, 2* 𝐅𝐚𝐭𝐡𝐞𝐫𝐢𝐧𝐞 𝐝𝐞𝐬𝐩𝐚𝐢𝐫

{ Performed by the La Grive 5 strings ensemble & bassflute & electronics. Modelli spectrum, Vcl, Vla, Vl1, Vl2, Vl3, BassFl, realtime electronics }

𝐄𝐥𝐥𝐞.𝐢𝐥, Falconnen 2, .9, 12* 𝐏𝐡𝐫𝐚𝐬𝐚𝐢𝐬 𝐜𝐨𝐦𝐞̀ 𝐥𝐚 𝐛𝐨𝐮𝐜𝐡𝐞 𝐝𝐞𝐬 𝐕oe𝐮𝐱 {Commissioned, performed, and created by the Bâle based ensenble Binoculaire, strings, winds, voci, harp, rehearsals written matters. Anatomische Engel. 2013/20. Espace Senghor, Brussels}

The audience was surrounded by the amplified musicians.

𝐕𝐞𝐫𝐛𝐢. Falconnen 8, .4, 6* 𝐅𝐥𝐨𝐰𝐢𝐧𝐠 𝐝𝐨𝐰𝐧 𝐭𝐨𝐨 𝐫𝐚𝐰

*𝐷𝑒𝑑𝑖𝑐𝑎𝑡𝑡𝑖𝑠 𝑡𝑜 𝐼𝑟𝑖𝑠 𝑇𝑒𝑟𝑑𝑗𝑖𝑚𝑎𝑛 𝑎𝑛𝑑 𝐹𝑎𝑢𝑠𝑡𝑜..

Unreleased (inédits) musical moments from 𝐔𝐧𝐟𝐢𝐧𝐢𝐬𝐡𝐞𝐝 𝐚𝐥𝐭𝐚𝐫/#𝟏 𝐊𝐮𝐭𝐫𝐚 𝐁𝐞́𝐠𝐮𝐥𝐦𝐚 piece, performed by Brussels based LAPS Ensemble

{ for 9 musicians & electronics. Modelli spectrum by Vcl, Vl, SaxSopra, Basscla, BassTrbn, Pno, Voce, & 2 electronic stations }

𝐎𝐫𝐠𝐚𝐧𝐮𝐦 𝐟𝐮𝐠𝐮𝐚. Falconnen 5, .6, 7* 𝐟𝐨𝐫 𝟓 𝐊𝐞𝐲𝐛𝐨𝐚𝐫𝐝𝐬, 𝐟𝐮𝐠𝐮𝐚 *𝐷𝑒𝑑𝑖𝑐𝑎𝑡𝑡𝑖𝑠 𝑡𝑜 𝑁𝑎𝑛𝑡𝑒𝑠 𝑜𝑟𝑔𝑎𝑛, 𝑏𝑢𝑟𝑛𝑡 𝑑𝑜𝑤𝑛 𝑎 𝑓𝑒𝑤 𝑑𝑎𝑦𝑠 𝑎𝑔𝑜.

for 5 Keyboards (realtime synths-processes) and/or positive organ(s) (no pre-recorded material) for 5 musicians, the amplified instruments surround the audience

Key/organ I : Morphed

Key/organ II : Convolved

Key/organ III : Feedback (no input-sources)

Key/organ IV : Vectral

Key/organ V : Morphed

𝐃𝐨𝐦𝐢𝐧𝐞. Falconnen 3, .45, 0* 𝐁𝐚𝐜𝐢𝐚𝐫𝐞, 𝐭𝐮𝐭𝐭'𝐢𝐧𝐭𝐨𝐫𝐧𝐨

*𝐷𝑒𝑑𝑖𝑐𝑎𝑡𝑡𝑖𝑠 𝑡𝑜 𝑀𝑜𝑧𝑎𝑟𝑡'𝑠 𝑑𝑜𝑚𝑖𝑛𝑒

for electronics modular synthesis, 3 strings, 5 voci

(In this piece the singers (5 females) are hjdden (but audible)in different rooms adjacent to the main concert hall. The scene is empty (main concert hall), musicians are amplified and re-injected into speakers surrounding the audience who can "hear" the natural sound through the walls (adjacent rooms) and the amplified result with electronic process (very low level) at the same time.

5 hidden murmures.

𝐄𝐧 𝐌𝐚𝐫𝐚. Falconnen 11, .3, 22* 𝐄𝐭 𝐬𝐞𝐬 𝐲𝐞𝐮𝐱, 𝐞𝐥𝐥𝐞 𝐦𝐞 𝐝𝐢𝐭

*𝐷𝑒𝑑𝑖𝑐𝑎𝑡𝑡𝑖𝑠 𝑡𝑜 𝐽𝑒𝑠𝑠𝑖𝑐𝑎 𝐶𝑜𝑛𝑠𝑡𝑎𝑏𝑙𝑒, 𝐽𝑜𝑠𝑒𝑝ℎ & 𝐼𝑟𝑖𝑠

for 3 electronics modular synthesis, and 1 voce

Mother's folksongs hauntology

Voce by 𝐉𝐞𝐬𝐬𝐢𝐜𝐚 𝐂𝐨𝐧𝐬𝐭𝐚𝐛𝐥𝐞

𝐂𝐨𝐫𝐩𝐩𝐮𝐬. Falconnen 1, .1, 12* Des fleurs, toutè autourri

Only inputs realtime electronics parts from rehearsals,

with 𝐒𝐭𝐮𝐫𝐦 𝐮𝐧𝐝 𝐊𝐥𝐚𝐧𝐠 ensemble, Brussels, 2013.

Retangled 2020.

Dry : 25%. Wet : 100% ----> 50% (decreasing gradually)

Based on 𝐬𝐩𝐞𝐜𝐭𝐫𝐚𝐥𝐬 𝐭𝐡𝐞𝐦𝐚(s) for double-quintet (5strings / 5winds) & percussions.

𝐋𝐞𝐚𝐯𝐞𝐬 𝐠𝐚𝐳𝐞𝐬, Falconnen 2, .3, 4* 𝐏𝐫𝐢𝐦𝐚𝐯𝐞𝐫𝐫𝐞̀ 𝐆𝐢𝐮𝐬𝐞𝐩𝐩𝐞𝐭𝐭𝐢 𝐛𝐥𝐞𝐮𝐦𝐢𝐞 *Poesia in primavera, letta da 𝐉𝐨𝐬𝐞𝐩𝐡 (7 years old).

with 𝐌𝐚𝐭𝐭𝐡𝐢𝐚𝐬 𝐁𝐨𝐬𝐬 (violin) & string trio La Grive ensemble.

Based on 𝐬𝐩𝐞𝐜𝐭𝐫𝐚𝐥𝐬 𝐭𝐡𝐞𝐦𝐚(s) & retangled 𝐉.𝐒.𝐁𝐚𝐜𝐡's cantate through realtime electronic modular process.

* Written instrumental gestures and extended electronics processes depends on each others, this global sonic result must be seen more like a « technomorph hauntology matrix » than like a basic technomorph theory.

Will be issued on 𝐔𝐍𝐄𝐀𝐑𝐓𝐇/𝐒𝐮𝐛 𝐑𝐨𝐬𝐚 music label,

LP 33rpm vinyl and download versions.

≈ 80min

..a venire..

© * 𝐝𝐞 𝐍𝐢𝐞̀𝐳𝐞

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