Computer Programming


Creating self-sufficient, deeply organic dreamlike electronic systems has always been a dream of mine to fulfill, a continuous study of time, traversing several periods, always parallel to contemporary musical writing.



Ajour FROZEN was developed specifically for a piece for classical guitar and electronics. Commissioned by the h[t]Duo of Milan.


This patch works in real time. It is a kind of strange, self-sufficient, yet controlled dreamlike mechanism that reacts to the audio impulses created by the instrumentalist. Sometimes it acts as impulsive responses (rev), responding harmonically with varied and instantaneous textures, from very long to very brief, depending on the intensities produced by the instrumentalist. A dreamlike mechanism, like a canopy of grains surrounding the sounds of the guitar.





Grains Threshold was developed to create an autonomous, almost infinite "granular" soundscape in its real-time processing of grain(s), a strange, ecosystem of electronic grains and phrases, an hauntology akin to the instrument itself. Grains Threshold is also featured (among other patches) in a piece for classical guitar and electronics, commissioned by the h[t]Duo of Milan.


This patch works in real time. It is a kind of strange, self-sufficient, yet controlled dreamlike mechanism that reacts to the audio impulses created by the instrumentalist (or input source). Sometimes it acts as impulsive responses (rev), responding harmonically with varied and instantaneous textures, from very long to very brief, depending on the intensities produced by the instrumentalist. A dreamlike mechanism, like a canopy of grains surrounding the sounds of the input source.





AJOUR Magnets (Grainflow) was developed specifically for a piece for classical guitar and electronics. Commissioned by the h[t]Duo of Milan.


This patch works in real time. It is a kind of strange, self-sufficient, yet controlled dreamlike mechanism that reacts to the audio impulses created by the instrumentalist. Sometimes it acts as impulsive responses (rev), responding harmonically with varied and instantaneous textures, from very long to very brief, depending on the intensities produced by the instrumentalist. A dreamlike mechanism, like a canopy of grains surrounding the sounds of the guitar.





AJOUR Shuffling was developed specifically for a piece for classical guitar and electronics. Commissioned by the h[t]Duo of Milan.


This patch works in real time. It is a kind of strange, self-sufficient, yet controlled dreamlike mechanism that reacts to the audio impulses created by the instrumentalist. Sometimes it acts as impulsive responses (rev), responding harmonically with varied and instantaneous textures, from very long to very brief, depending on the intensities produced by the instrumentalist. A dreamlike mechanism, like a canopy of grains surrounding the sounds of the guitar.





The Dancer's Scissors [v.IV]

was developed as a "complete" ecosystem, capable of generating multiple climaxes with vast possibilities. It is based on processes of impulses and triggers, each feeding off the others.

A self-sufficient electronic hauntology


This patch is a dreamlike mechanism that can unfold on its own and/or be manipulated as desired. A kind of atomic geography emerges over time (fast or slow), generated by a complex of highly varied oscillators, triggers, mutations, and extensive transformations. A self-sufficient electronic hauntology, also capable of accompanying instruments or other innovative musical creations. The patch uses only generated sounds from various oscillator sources, which feed into and trigger each other. The possibilities are vast.





The Dancer's Scissors [v.IV] trailer